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The only guarantee is that there’ll be a sequel. Ive always struggled to enjoy Trey Songz albums, largely because his music is so one-dimensional and clearly catered to women, that I feel inadequate as a listener. This kind of vulnerability is refreshing, but Trigga is otherwise designed like a Hollywood blockbuster: squandered talent, obvious themes, and fleeting moments of creative excellence that stick among the clichés. (You Ain’t Shit)” displays both genuine self-loathing and anger that’s a stark contrast to the arrogant persona featured throughout the bulk of the album.
#TREY SONGZ TRIGGA ALBUM REVIEW UPDATE#
Kelly’s “Fucking You Tonight,” featuring a pulsating synthesizer and a fantastically gauche verse courtesy of Nicki Minaj, while the album’s first single, “Na Na,” is a high-energy update on the Fugees’ “Fu-Gee-La,” itself derived from Teena Marie’s “Ooo La La La.” A remix of the album’s second track, “Foreign,” which is oddly placed in the middle of the album, features Justin Bieber in full-on bad-boy mode, with Songz and the tabloid fixture charismatically alternating stories of international seduction.Īt times, Songz’s lyrics venture into personal territory: “Y.A.S. “Touchin, Lovin,” for example, is a club-ready knockoff of Biggie and R. Many of Trigga’s highlights are contingent on the use of A-list talent and samples from songs already lodged in the pop consciousness.
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Sometimes this spotlights his gorgeous timbre other times, however, it sounds like the Von Trapp family Auto-Tuned and X-rated. Kelly real talk ('Cake's on the menu/Ain't I supposed to eat it too'), Songz gets a little more intimate with the skittery high-hats. The music is sparse, which showcases Songz’s easy vocal swagger and distinctive cadence, and most of the songs find him singing in three- or four-part harmony. With delivery as cool as 'Cruisin' '-era Smokey Robinson and R. Most of Trigga proceeds in this fashion, Songz’s stellar vocals juxtaposed against uninspired production and clichéd lyrics that traipse through the usual set of R&B themes: sexual prowess, cheating, bad breakups, nights at the club, and so on. Trey Songz’s sixth album, Trigga, opens with “Cake,” a slow-burner centered around a thinly conceived sexual metaphor (“They say you can’t have cake, and eat it too/Ain’t that what you’re s’posed to do?/Ain’t you s’posed to eat it too?/Cake’s on the menu”), which simultaneously calls attention to Songz’s supple voice and paint-by-numbers approach to songwriting.